David

David

David, our esteemed secretary, has been holding the shutupandlisten.co.nz fort for more years than we care to remember. Much of the content on the new revamped site was shamelessly scraped by Nathan from the old site and repurposed.

Caravan - Waterloo Lily (1972)

Aside from a couple of Caravan compilations and 1 proper studio album, 1970’s “If I Could Do It All Over Again, I’d Do It All Over You”, I’m a complete Caravan and to be fair, “Canterbury Sound” novice.

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Curve - Come Clean (1998)

Take Massive Attack’s “Mezzanine”, give it a bit more edge ala The Prodigy, then add Toni Halliday’s calm but devastating vocals into the mix.

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Damien - The Boy Who Drew Cats (2023)

This stonkingly great 6 Track, mini-album comes from the remnants of the incredible band Low. Led by Alan Sparhawk, and joined by his son Cyrus, this music could not be any further away from Low’s remarkable musical legacy.

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T.Rex - Electric Warrior (1971)

It must be said, grand kids and audio equipment are not in any way compatible. Usually I have just my single black box, NAD C700 amp/streamer, Theophany speakers (woofers and tweeters - which are well protected by metal) and concealed sub, in the lounge.

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GracieHorse - L.A. Shit (2023)

Sometimes country music can be right up on top of my “this-genre-ain’t-for-me” list, along with some god awful Jazz. While this is most definitely a country album, it doesn’t even come close to making that list.

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Mako Road - The Great Superintendent {EP} (2018)

As Kiwi as Bro! This is a sensational six track EP release from Christchurch-based Mako Road. I first heard this on “A Sonic Youth” podcast (my firm favourite for better-than-decent new and re-discovered music) A band that has truly flown under the radar.

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Ioapok - Oisolün (2023)

Quite a strange trip this evening. This French outfit play a progressive type of jazz and rock music. Listening ecxlusively on headphones and DAC, its quite an emersive experiece.

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Sublime - Sublime (1996)

I know absolutely nothing about Sublime. I always thought they were just another stoner, spliff-toting, skateboard pretenders. How wrong was I.

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Hole - Celebrity Skin (1998)

Hole’s second record, 1994’s “Live Through This” remains one of my top album contenders across any genre. While it’s peak grunge, it still has one of the highest, and surely not legal, quotas of hooks possible on a single record.

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Can - Live in Cuxhaven 1976 (2021)

This recording is as close to improvisational “free” jazz as I’m willing to ever venture. Can never just play their last record, they deconstruct, reconstruct or completely destroy it at every opportunity.

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Cloudboy - Down at the end of the Garden (2001)

My second and only other RSD purchase was this little gem from Dunedin’s, now long-defunct, Cloudboy. While I didn’t know anything about this record, or the musicians involved, it was a record they were running out of around the country very quickly.

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Bloc Party - Silent Alarm (2005)

Coming up to it’s second decade, this incendiary debut album from London-based Quartet, Bloc Party, is refreshingly “rock”. No fancy keyboards or unnessecary embellishments, this is just a slam of guitars, bass and drums and some vitriolic vocals from Kele Okereke.

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The Stranglers - Feline (1983)

The Stranglers were always outliers, probably before the term was even in the common vernacular. Their first two records were right in the thick of the punk ethos but strangely dissimilar to anything else.

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Echo & The Bunnymen - Siberia (2005)

Unlike the Cure’s later, post 1992’s “Wish” albums, the Bunnymen HAVE continued to make great records. While The Cure re-peddle their magnificent back catalogue, Ian McCulloch and Will Sergeant have managed to be creative and sound as fresh as those early days.

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The Who - The Who Sell Out (1967)

This 2022 half-speed-mastered, repress of The Who’s 3rd record sounds ridiculously good. Entwistle’s bass guitar especially comes to the fore but there’s amazing staging of all instruments.

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Goldfrapp - Supernature (2006)

Another great Alison Goldfrapp/Will Gregory Collaboration. There’s no end to the talent of these two. While nothing will improve on my first exposure, this is one slick record.

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Trees Speak - Mind Maze (2023)

Another all instrumental release from Tuscon’s best avant-garde, neo-psychedelic, Miles Davis Bitches Brew-era protagonists. Absolutely made for vinyl, there’s no other way to replicate and consume their retro-70’s schtick.

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Goldfrapp - Felt Mountain (2000)

Wow! This ain’t rock’n’roll, this is an electro-cabaret masterpiece. Tricky prodigy Alison Goldfrapp, croons like Liza Minelli, yodels like Melanie Oesch, and whistles like Roger Whitaker.

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Kirsten Edkins - Art & Soul (2015)

I didn’t know anything about this recording before playing this via Tidal this evening. As the reveiw states “Saxophonist Kirsten Edkins delivers a delightful and charming batch of mainstream jazz with her engaging and exuberant debut Art & Soul.

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Asobi Seksu - Asobi Seksu (2007)

Fantastic debut from New York-based group Asobi Seksu. While firmly in the noise rock genre, it’s fabulously diverse throughout. On the very first listen there’s a lot to like about this record.

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Lord Huron - Strange Trails (2015)

A very easy choice tonight. When you are out walking and the dog makes a bee line for a young American woman wearing a Lord Huron “Long Lost” T Shirt, there’s a clear message there.

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Luluc - Sculptor (2018)

Here’s yet another fantastic band from Melbourne. Several recent favourites of the last few years have come from this town. Duo Zoë Randell and Steve Hassett have breached their folky ways and delivered a rich, cinematic experience far removed from the traditional acoustic fare.

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Lone Lady - Former Things (2021)

Time warp, flash back alert. There’s a somewhat wacky (corny even!) minimalistic analogue synth and drum machine vibe happening on this surprisingly catchy recent release.

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XTC - Black Sea (1980)

This is another vinyl relic that’s been added to my “Essentials” vinyl collection. This 2019 re-press is NOT the Steven Wilson remaster but the original 1980 pressing.

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Kimbra - A Reckoning (2023)

Just thought I’d dip into a track or two to sample my new laptop/DAC/headphones setup. I never left. That headphone setup is now my new benchmark for the best way to listen to serious music.

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Adam Green & Binki Shapiro (2013)

Third time lucky. I tried to listen to a couple of CDs from “The Redcross Collection” this evening. That was a painful 6 minutes of my life that I’ll never get back - they were truly hideous.

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Tones On Tail - Everything! (1998)

A fantastic post-Bauhaus compilation of Daniel Ash’s side project prior to establishing the equally wonderful Love & Rockets. Like some Ziggy Stardust/Mick Ronson clone, Daniel Ash exudes the combination of squalling guiter slinger and crooning frontman.

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Roger Waters - Amused to Death (1992)

The audiophile vinyl box set of this has just been released. While I’m not at all interested in an analogue version of a digital recording, the high resolution bu-ray version will do me nicely thanks, I did watch a YouTube reveiw by German vinyl guru Michael of 45RPM Audiophile fame.

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Psychic Ills - Hazed Dream (2011)

There’s been a recent but gradual (r)evolution in my musical consumption of late, firstly with the introduction of headphones, but now taken to the next level with the purchase of a dedicated headphone DAC.

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XTC - The Big Express (1984)

The big news of the day was the passing of guitar maestro and personal hero, Jeff Beck. I chose not to spend the evening playing his music but did play a couple of tracks earlier in the day.

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Alt-J - This Is Yours (2014)

I don’t know why I even bother reading reviews on “Pitchfork.com”. Despite being around for more than a decade, Alt-J is a very recent discovery.

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Cure - Wish [2022 Remaster](1992)

Fuck Yes!! While there’s some poppy, happy-clappy stuff on this record (incidently, this is the brand new, freshly minted 3CD deluxe edition), there’s still a wonderful, post-“Disintegration”, doom-laden dirge as thick as treacle.

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Bee Gees - 1st (1967)

For some light summer reading, I’m currently plowing through Jeff Apter’s biography of The Bee Gees, “Tragedy: The Sad Ballad of The Gibb Brothers”.

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Angus & Julia Stone - Snow (2017)

Brother Angus’s stoner, melancholic alter ego, Dope Lemon was my introduction to half of this Aussie duo at least. Adding sister Julia to the equation on 2014’s self-titled “Angus & Julia Stone” pushed the mellow, chilled-out, easy going even further.

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Fishmans - Long Season [Tidal & YouTube] (1996)

This amazing recording has been haunting my dreams lately (as well as causing a few offline listening nightmares on my iPhone with the finiky Tidal app) The 34 minute, single track is like nothing you have ever heard, and if you have the patience, has one of the most haunting melodies ever to hit your ears.

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David Bowie - Toy Box (2021)

As a semi-completist Bowie-phile, I was inspired to acquire this 3CD box of revisited, pre-fame, early recordings. As a school kid in the early 70’s, and before I really knew who David Bowie was, I remember listening to the 1967 record “David Bowie”.

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Poor Moon - Poor Moon (2012)

Another random selection from my “Lucky Strike At The Red Cross” collection. This album on the Sub Pop label, turned out to be a side project by Fleet Foxes members Christian Wargo and Casey Wescott.

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Music Monday Mania (2022)

Another couple of days with a house full of babies equates to a huge reduction in air moving from my speakers.

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Martin's Session - Nov 22

The themes were: a track that connects with another culture (lifestyle, country, ethnic group, political persuasion, gender identity, etc), a track that connects with a personal interest (stamp record collecting, flint knapping, ships in bottles, etc), a track that connects in some way with one or both of the preceding tracks. You can reveal the connection before or after playing the track.

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Goldie - Timeless (1995)

After last night’s fabulous, Afro-centric jazz monster, something equally rich and musical is called for. This drum’n’bass classic from England’s then king of Jungle, has moments of bliss.

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Fazerdaze - Break! (2022)

I tried; I really did. I had a few things to listen to this afternoon, nothing I physically owned thank goodness, but I quickly became underwhelmed and even irritated with stuff passing as entertainment.

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Pink Mountaintops - Axis Of Evol (2006)

Stephen McBean, front man and guitarist of the fabulous Black Mountain, takes a trippy diversion with offshoot band, Pink Mountaintops. Fuzzed-out guitars, a wonderfully swampy, lo-fi production and wonky vocals makes for a real treat.

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Dry Cleaning - Stumpwork (2022)

Dry Cleaning’s 2021 debut, “New Long Leg” was up there with my favourite peri-COVID releases. Despite it being a bit more restrained, this new record ups the musical ante significantly.

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Jakob - Solace (2006)

I’m just reading a great, totally self-depreciating and honest book about Steven Wilson’s perceived failings as a rock star. Ok, it’s agreed, he’s no rock star but he’s a fantastic musician, producer, band leader (of several ensembles) and a complete music nerd.

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Tame Impala - Innerspeaker (2010)

It’s time to get the Tame Impala back catalogue out. They play live on Saturday 15th at Spark Arena. It’s been a two and a half year wait for a gig originally scheduled for Thursday 16th April, 2020.

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Mercury Rev - Yerself Is Steam (1991)

I was NOT prepared for this! Even my watch protested about the noise of the first track - screaming out something ‘bout “…exceeding decibels…30 minutes…potential damage…” It wasn’t just the volume; it was the shear harshness of the assault.

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Pink Floyd - Animals (2018 Remix) (1977)

Animals has always been my favourite Pink Floyd record so I’m in two minds about people messing with it. While I do revere the original, I must admit, this 24-bit high resolution remix is significantly subtle is bringing everything to the fore.

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Cari Cari - Anaana (2018)

Fabulous surf-punk-everything-including-the-kitchen-sink-psych. This is a recently discovered album from duo Stephanie Widmer (vocals, drums, didgeridoo) and Alexander Köck (vocals, guitar) aka Cari Cari.

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Oh Sees - Face Stabber (2019)

Never, ever judge a book, (or any record for that matter), by it’s cover. While most of The Oh Sees album sleeves are butt ugly, the music is anything but.

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Oh Sees - Orc (2017)

The genius of John Dywer never lets up throughout an array of different band monikers, (including Orinoka Crash Suite, OCS, Orange County Sound, The Ohsees, The Oh Sees, Thee Oh Sees, and Oh Sees), and a myriad of fluid genres over the last 25 years.

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Appliance - Manual (1999)

Not a bad haul this. I got all three Appliance CD’s, including this debut, super dirt cheap at the big red shed during peak multi-format media acquisition days.

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Marlon Williams - My Boy (2022)

A courier package arrived from Flying Out Records this afternoon. In that package was a compact disc (aka CD). This also happened to be a brand-new release from the undisputed boy with the silkiest voice in Godzone.

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Cranes - Particles & Waves (2004)

OK. I’m being right up front here. Give me actual, physical media over streaming any day. I reached for a randomly chosen CD this evening, put it in my repurposed Oppo Blu-ray transport and immersed myself in its warm, earthy, organic texture and sonic splendor.

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Autechre - Amber (1994)

This ambient/techno record is startlingly apt for a day of national introspection. This makes a terrific soundtrack as one watches the fairy tale tributes unfold across multiple channels.

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David Sylvian - Gone To Earth (1986)

A timeless masterpiece from my favourite, post-punk/decommissioned new romantic front man, neo-reclusive avant-jazzasist. Surrounded by extraordinary musicians, Robert Fripp and Bill Nelson included, this remains genre resistant.

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The LA's -The LA's (1990)

While it’s all over in just over 35 minutes, there is not one wasted second. What’s remarkable is that this was their only record.

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John Foxx - Metadelic (2013)

While there were a few fleeting moments sans John Foxx, with Ultravox version 2.0, which followed on after his departure, the original Ultravox was more of a real deal.

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Cornelius - Point (2002)

If you can find a better sounding CD than this, I’ll eat my entire vinyl collection. I can’t even contemplate why you would ever listen to this on anything other than a CD or via decent streaming media.

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Low - The Great Destroyer (2005)

Another faultless record from these Duluth-based, slow-core pioneering Mormons. (Incidentally, Duluth was also the birth place of one Robert Zimmerman). Recently picked up by Sub Pop records this is a major leap forward in instrumental layering and accessibility.

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Bang Gang - Something Wrong (2003)

The wonderful film “Screaming Masterpiece” introduced me to many great Icelandic musicians. There were many “wow” moments throughout this music documentary and it ultimately led me to this “band” and this astounding record.

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Guru's Jazzmatazz - Vol.2 (1995)

Great 2nd release that merges mainstream Jazz with street cred Hip-Hop and successfully ticks the “really cool” box. While Vol.1 was the bee’s knees, this is still brilliant.

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Beck - Guero (2005)

While it couldn’t possibly top “Odelay”, it is a wonderful potpourri of brilliance. A decade later, his songwriting has matured like a fine wine.

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Stereo MC's - Connected (1992)

Despite an erroneous apostrophe, the Stereo MC’s produced this stunner absolutely full to the brim with funky rap-infused belters. While the track “Connected” is the best known song, there are 12 other tracks equally as addictive.

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The Spinanes - Manos (1993)

Chicago two piece, Rebecca Gates, guitar and vocals, and Scott Plouf, on drums, make such a wonderful racket together. While it’s inherently a narrow soundstage, the chemistry and synchronicity between the duo is palpable.

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Enigma - MCMXC A.D. (1990)

The CD strikes back saga continues. I’m truly blown away by a few recent revelations that have now been fully implemented with spectacular results.

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Massive Attack - Heligoland (2010)

I’m not sure why this album gets such a bad rap. Ok, it’s probably not The Massive at their peak of popularity but it certainly contains all of the elements that make it a sonically rich, refreshingly experimental and ultimately rewarding listen.

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Venessa Fernandez - Use Me [SACD](2014)

OK there’s a bit of a back story to this. On my recent trip to Melbourne, I was adamant I was not going to contravene every carry-on cabin restriction, reinvent creative and discrete storage practices, or put my back out, smuggling hefty vinyl back to New Zealand.

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Blackfield - NYC (2007)

Blackfield - Recorded live at the Bowery Ballroom, NYC on 16th March 2007 OK, I’ve decamped all of my boxed up digital media and it’s living and breathing once more.

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Dread Zeppelin - Un-Led-Ed (1990)

I recently re-discovered this wonderful, satire heavy, musically rich, dignity intact record from a few decades back. Despite it’s parody of the almighty and sacred Led Zeppelin, it works so very, very well.

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Porcupine Tree - Closure/Continuation (2022)

OK, it’s been a good decade since Porcupine Tree shed their seemingly evergreen leaves and ceased to be. Steve Wilson, of course went from strong to stronger and his prolific output continued as a solo artist and wunderkid producer/remaster specialist.

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Implosion - Implosion (1988)

Back in late May I discovered a fabulous, genre-less, probably more-prog-than-not, largely instrumental rock outfit from Italy. That record was a compilation of great, unreleased music from the mid to late 80’s and an addendum to this, their first and at one point, very rare, under-the-radar release.

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The Mars Volta - Octahedron (2008)

This, the Volta’s fifth record, is their ambient acoustic country folk rock album. It’s as accessible as they ever get but if you think for a moment it’s not a proper The Mars Volta recording you will be completely deluded.

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Morphine - Good (1992)

Some might say that Morphine, a rowdy trio from Boston, are a bit of a one trick pony. Comprising of singer/slide bass player Mark Sandman, Dana Colley on tenor and baritone sax and drummer, Jerome Dupree, it certainly feels “samey” through out.

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Eve Adams - Metal Bird (2021)

This reminds me of the minimalist approach that Melbourne’s Jonnine Standish takes with her duo HTRK . While there’s more experimentation on that wonderful record, the less-is-more ethic taken on this record is similar.

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Trees Speak - Vertigo Of Flaws (2021)

Emancipation of the dissonance and temperaments in irrational wavelengths. I really couldn’t have put it better myself. Electronic music, especially post-punk retro became my staple in the early 80’s as I explored the left of mainstream with Cabaret Voltaire, early Ultravox and especially Tangerine Dream the most rewarding.

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Woodenhead - Original And Reimagined (2022)

This beyond extraordinary New Zealand film from 2003 definitely wouldn’t be everyone’s cup of tea (or cup o’ sick!). I’m not even going to attempt to explain it or even recommend it - if you want to know more, check it out here .

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Implosion - Implosion 2020 (2020)

Obscure yet outstanding 80’s Italian outfit that only ever released one solitary, self-titled album back in 1988. This FANTASTIC 2020 Record Store Day record contains 16 previously unreleased tracks from other recordings done between 1983 and 1989.

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Pylon - Razz Tape (1979)

This cracker of a live session was captured on primitive recording equipment solely for the purposes of garnering interest for potential employment around the local clubs of Athens, Georgia.

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Beak> - >>> (2018)

Strangeness personified. Intentionally radio unfriendly, Krautrock(y), squelchy, stoner prog. Perfect as a formulaic, poser-pop fly spray, this little gem completely tears up the rule book.

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Houeida Hedfi - Fleuves De L'âme (2021)

This is beyond categorisation, it just “is”. Without deconstructing things too much, this wonderful recording by Tunisian multi-instrumentalist Houeida Hedfi, combines traditional folk music with an extraordinary array of contemporary genres.

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Ghost Power (2022)

This all instrumental, trance-inducing long player from Stereolab’s Tim Gane, while not far removed from the Labs mesmeric soundscapes, is sans his dirty old, reverb-rich, overdriven Jaguar and replaced with an all analogue, knob-twiddling, (over)indulgence.

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Fontaines DC - Skinty Fia (2022)

Big, brooding third record from collusive, fellow Dublin City Music College graduates now full time residents of London. They’ve done alright - three shit hot albums in as many years and a bunch of hooky foot stompers.

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Wet Leg - Wet Leg (2022)

This record has been well (over)hyped for the last 6 months or so. But you know what, in my book it lives up to every accolade that’s been thrown at it.

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Boards Of Canada - Twoism (1995)

BOCs first ever recording (limited to just 100 copies), was this generous 38 minute mini-album. Always extremely difficult to find, it was finally repressed by Warp records in 2013 to appease the masses.

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Love - Revisited (1970)

Some of my very best purchases I’ve ever made are sometimes found in the new vinyl, bargain bins of the big mega music shops like JB-Hifi and Real Groovy.

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Caribou - Up In Flames (2003)

I just loved Dan Snaith’s (Caribou’s sole band member) 2014 record “Our Love” so I couldn’t resist picking up this 2021 repress from a decade earlier.

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Garageland - Last Exit To Garageland (1997)

To these ears this is one of the best records that Pavement didn’t make. While you could say that the Flying Nun label mates of this Auckland-based outfit taught the Paves a thing or two, this group are just as effective at playing sloppy, effortless and slightly off kilter pop music like the big boys of the era.

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Motels - Motels (1979)

This record was on high rotation during the late 70’s, early 80’s as punk gave way to the much richer and diverse palate of post-punk/new wave.

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Talk Talk - The Party's Over (1982)

I first encountered the great Mark Hollis and Talk Talk via their third release 1986’s “The Colour Of Spring”. I kind of ignored the previous two records including this one, their 1982 debut.

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Radiohead - Kid A Mnesia (2022)

Holy Moley where do you start with this?! While hailed as one of the most important rock recordings of all time when they delivered their revered “OK Computer”, Radiohead went even more left field with these evil twins.

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Khruangbin - Mordechai Remixes (2021)

I don’t always go for remixes, but this band just screams out for the treatment. While the Khruangbin sound takes a very slight step backwards in the mix it’s a den full of very tasty disco bangers this evening.

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Lindsey Buckingham - Lindsey Buckingham (2021)

This is a remarkable comeback record for the 72 year old, ex Fleetwood Mac guitar and song writing maestro. Ousted from the band in 2018, probably mostly by his own doing, and battling major health issues, he’s made a record that could sit alongside those BIG Mac records of the mid-70s.

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Arthur Russell - World Of Echo (1986)

Nothing prepares the listener for this. It’s Arthur Russell’s only non-collaborative record consisting of cello, voice (somewhere between Boz Scaggs and Nick Drake) and in-studio or live, sounds and textures.

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Alan Vega - After Dark (2021)

A beautiful, unconventional rockabilly blues record from now departed Suicide co-founder/co-member, Alan Vega. This could quite easily be an old time blues record backed by any number of 70’s era Krautrock bands.

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Ziggy is 50 (1972)

I heard “Starman” and “Suffragette City” on the car radio this morning. The realisation soon hit me - Ziggy is 50 years old!

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Pale Saints - Mrs. Dolphin (1991)

A recent Record Store Day vinyl compilation of a long lost, Japanese only CD from the long defunct Pale Saints (from Leeds) Pale Saints were often on my playlist back in the 90’s and one of my 4AD staples.

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Fela Kuti - Fela's London Scene (1971)

Another absolute stunner from one of Afrobeat’s finest. This 50th Anniversary Reissue is “coolness” personified. Fela was best mates with Ginger Baker, who apparently, (this is uncredited on the album), helps out on the sublime “Egbe Mio”.

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The Beatles - Help! (1965)

This is probably where it all began for me. Still my most important Beatles record. Some gasp that the Beatles records have been remastered from digitals sources.

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David Bowie - Toy (2021)

I’m not really sure how I feel about this record - I’m listening to it as I type. This is the first time I’ve heard this since acquiring it as part of the massive “Brilliant Adventure” box.

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Idles - Crawler (2021)

One of the best opening songs I’ve heard in a long time, “MTT 420 RR”, (literally the vocalist’s own historic car crash), sets the stage for a remarkable journey.

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Poets Of Rhythm - Discern/Define (2001)

The more I dig into German music of the last 50 or so years, the more I am blown away. This outrageously great funk record sounds like it belongs back in the 70’s but with today’s state-of-the-art production it’s unmistakably contemporary.

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Beach House - Depression Cherry (2015)

A very ethereal record from Beach House. Sounding like its big fluffy red cover (I kid you not) this recording is enclosed in a murky haze that keeps the poppy sugar coating that’s trying its hardest to bust out under wraps.

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Grooms - Exit Index (2017)

I’m really not sure what attracted me to this, aside from the beautiful cover, but what a fantastic find. Like a few days lately, I’ve been finding a few unfamiliar tracks and albums via streaming services.

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Neon Neon - Praxis Makes Perfect (2013)

One of my pet peeves when buying records is the absence of plastic inner sleeves. Most of the paper inserts, glossy or otherwise, that come with the majority of new records these days, are as good as useless.

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Thee Oh Sees - Smote Reverser (2018)

One of the greatest finds of this year is this killer record from San Fran’s totally unhinged Thee Oh Sees. Impossible to categorise, to me they fit somewhere between King Gizard and the Wizard Lizard and The Bevis Frond.

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David Bowie - Earthling (1997)

The stunning sonics of this newly pressed vinyl box continues. It’s certainly a box of goodies that just keeps giving. This is another record which I’ve only listened to in parts (“Little Wonder” & “I’m afraid Of Americans”) and most probably not in its entirety in one sitting.

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David Bowie - Buddha Of Suburbia (1995)

To be honest, this is an album I never really knew existed. Made after “Black Tie White Noise” and around the time of “Outside” to soundtrack a British TV series, it never appeared on my radar at all.

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Janne Schaffer - Katharsis (1976

This mid-70’s gem from Sweden’s own/only guitar-swinger Janne Schaffer, has finally come back home to me. I thank you Martin. Having given 100’s of records away at the turn of the century, I do have ongoing regrets about it.

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Swans - The Seer (2012)

This is a CD I have always been very reluctant (aka being really frightened) to play. I mean Ray Haliburton’s Allmusic User Review from 2015 proclaims “…if you’re looking for music that is truly horrifying, visceral, epic and absorbing, step right up.

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Kimbra - Vows (2011)

Hamilton-born, Kimbra Johnson is really hard to categorise. There’s simply no doubt about it though, she’s one hell of a talent.

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Mew - Plus Minus (2017)

This Danish band is just extraordinary. Their record, 2005’s “And the Glass Handed Kites” is an epic masterpiece that demands at least a yearly, uninterrupted aural immersion.

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La Luz - La Luz (2021)

I LOVED La Luz’s last record, 2018’s “Floating Features”, but while pleasant enough, this new album has upped the production levels and sanded off those rough edges I loved on the previous one.

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Sault - Nine (2021)

Another remarkable, genre non-specific, masterwork from the mysterious UK collective that is Sault. After 99 days following it’s release (June 2021) this record has already been pulled from streaming services completely and will never see a re-pressing.

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La Luz - Floating Features (2018)

Take a bit of Dick Dale, a good chunk of Stereolab and a smidgeon of Nana Mouskouri, shake it all up, remove the men folk, and you have the sensational lady group La Luz.

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Slowdive - Pygmalion (1995)

This beautiful album follows the magnificent “Souvlaki”, a record that Brian Eno provided keyboards and treatments. While the Eno ambience wasn’t obvious on that, it’s right to the fore on this.

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HTRK - Rhinestones (2021)

WOW! I just love this Melbourne duo. This is just beautiful and comes close to trumping my previous experience when first discovering this Aussie treasure.

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Lord Huron - Long Lost (2021)

More magnificence from the LA-based band, Lord Huron. With a country-infused soundstage as big the lake they were named after, one of the big five by the way, it’s all very lush and cinematic.

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Darkside - Spiral (2021)

I’ve had a bit of a revelation today after a great Shut Up And Listen Session the evening before. Streaming stuff instead of relying on physical media is perfectly OK.

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Nicolas Jaar - Space Is Only Noise (2011)

This is an exquisite, sumptuous recent discovery courtesy of the wonderful Youtube hosted by Michael the German. Michael, who is a truly engaging German man with the most incredible vinyl collection, regularly shares his insights into the best, and often but not always, audiophile vinyl pressings.

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Kin Ping Meh - Kin Ping Meh 2 (1972)

Second album from German band “Kin Ping Meh” (Chinese for “The Golden Lotus”) There’s a definite “The Yes Album” feel to early proceedings with more than a few weird meanderings along the way.

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Fogg - High Testament (2014)

A big riffy, completely off-kilter, stoner rock record that sounds as big as Texas. That’s funny, coz these dudes hail from Fort Worth, Texas.

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Belly - Bees (2021)

Awesome B-Sides collection on spectacular “honey” coloured vinyl. Just fantastic to have this. One of my favourite songs of all time on one of my favourite albums of all time, is the wonderful “Not Too Soon”, sung by Tanya Donelly on “The Real Ramona”.

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ESG - Come Away With (1983)

Stonkingly brilliant, early-80s, post-punk funk (without the horns) courtesy of the Scroggin Sisters from the Bronx, NY, NY. This is just crazy good.

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HTRK - Venus In Leo (2019)

One of my finds of the year, I knew absolutely nothing about HTRK (Hate Rock) or this record, prior to my recent travels to Melbourne.

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Darkside - Psychic Live (2015)

Insanely good live performance of Darkside’s brilliant 2013 album “Psychic”, a mind warping, non-genre specific monster of a record. Watching this reminds me of the time that I walked into one my all time, smily face moments of pure musical bliss - Unkle playing live in the “Boiler Room” at The Big Day Out.

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The Strokes - The New Abnormal (2020)

My Melbournian pal, Maurice, who I caught up with in person recently, has been raving about this record ad nauseam. To tone down his incessant admiration somewhat, I thought I’d better buy it on CD.

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Holger Czukay - Der Osten Ist Rot (1984)

Completely wacko but totally enjoyable forth solo record from co-founder of krautrock band Can. Aside from the first song, “The Photo Song”, (definitely a false start as the “poppiest” song on the album), it’s an unconventional and wild ride across the remaining 10 tracks.

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Rupert Hine - Immunity (1981)

One real blessing of spending an extra week in Melbourne, following a 7 day Covid-19 Aussie/NZ travel bubble pause, was spending some quality time trawling the records shops in Melbourne City and Brunswick/Smiths Street in Collingwood.

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Jane Weaver - Loops In The Secret Society (2019)

Fantastic double (black) vinyl re-working of Jane Weaver’s 2014 record “The Silver Globe” and 2017’s “Modern Kosmology”. All I can say is my recently purchased Rega MM Fono stage now connected to my upstairs Project Debut and NAD amp is absolutely kicking some serious sonic arse.

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The Beat - Special Beat Service (1983)

Known as “The English Beat” in North America to allay any clash and confusion with the American “The Beat”, these dudes were right in the thick of things with other budding SKA bands of the time.

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Sault - 5 (2019)

I finally managed to pick up all four albums by this extraordinary English collective knowh as “Sault”. This is their first record and if the others are even close to this, (and apparently they get even better with each subsequent release) my ears are in for a real treat.

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Jethro Tull - A (1980)

Another stonking Tull release that got panned at the time. A first time listen for me but a rockier effort following their folk period “Songs From The Wood”, “Heavy Horses” and “Storm Watch”.

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Moby - Reprise (2021)

Another beautiful double album picked up over Queens Birthday weekend. This features orchestral treatments of Moby songs (there’s also a lovely reinterpretation of one of my least favorite Bowie songs “Heroes” which I can fully tolerate and appreciate one this).

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Gary Numan - Intruder (2021)

Gazza just goes from strength to strength. Honestly, I kind of reluctantly bought this new record thinking it’s going to be somewhat disappointing after his astonishing 2017 release “Savage”.

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Jethro Tull - War Child (1974)

This is a Tull record that was never “in the circle” of their great predecessors - namely “Aqualung”, “Thick As A Brick” and “A Passion Play”, and I missed it completely.

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Gary Human - Tubeway Army Replicas (1979)

Gazza has always been an outlier/outsider. Diagnosed with Asperger’s his imagination and creativity has actually got the better of him. He’s been more prolific than ever and his latest record “Intruder” is up there’s with his best.

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Various Artists - AK79 (1980)

This fantastic compilation of Auckland punk, circa 1979(ish), is a treat for NZ music historians and rock’n’roll lovers. There’s early iterations of bands that went on to greater fame, and much higher production standards, but their brilliance is well in evidence.

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The Gordons - The Gordons (1982)

This band is renowned for being the loudest band that ever existed. While my stereo can’t do it justice, extreme volume would let these seven humongous tracks breath/bleed accordingly.

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Midnight Oil - Countdown Album (1983)

Affectionately known as the “Countdown Album” (let’s face it, it flows off the tongue a lot easier than “10, 9, 8, 7, 6, 5, 4, 3, 2, 1”), this absolute stonker from the Oils is one of the great records of the 80s.

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Can - Future Days (1972)

A remarkably restrained Damo Suzuki “sings” on what would be his final studio recording with this truly amazing German collective. (He went off and married a Jehovah witness apparently).

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Squid - Bright Green Field (2021)

Another great great record that proves there’s still great great music being made in the world. Highly original, disorientating and unapologetic, it’s a bit of a rollercoaster.

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Can - Delay (1981)

These astounding recordings from 1968/1969 is empirical proof that these Germans were just so far ahead of the game. The Stooges, who are often regarded as the granddaddy’s of punk didn’t record their debut until 1969.

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VA - Tim Peaks (2019)

Tim Burgess & Bob Stanley Present Songs For A Late-Night Diner. This very quirky compilation “is a soundtrack for a mythical café in the mythical north” somewhere in England.

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Jane Weaver - The Silver Globe (2014)

This record, the first in a trilogy of great Jane Weaver albums, is a real treat. The vocals are as ethereal and fabulous as the noodlely electronics and keyboard embellishments that cocoon each track.

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Lou Reed - New York (1989)

Excluding the Velvet Underground years, Transformer, Rock’n’roll Animal, Lou Reed Live, The Blue Mask, Legendary Hearts, Songs For Drella (with John Cale) and Magic And Loss were always my go to Lou Reed records.

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The Beatles - Revolver (1967)

I heard reference to this wonderful record on Radio National today. The cover for Revolver was created by German-born bassist and artist Klaus Voormann , whose birthday it was today.

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Pretty Things - Parachute (1970)

This record was released in 1970 and was named Rolling Stone’s album of the year ahead of Let It Be by The Beatles, Morrison Hotel by The Doors, After the Gold Rush by Neil Young, Moondance by Van Morrison, Bridge Over Troubled Water by Simon and Garfunkel, Pink Floyd’s Atom Heart Mother and Led Zeppelin III.

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Amon Düül II - Yeti (1970)

If you really want to kickstart your Krautrock adventures with smoking wheels there’s simply is no better place to start. This is a guitar-driven, all balls out, Meisterstück that is worthy of all accolades.

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Luna - A Sentimental Education (2017)

This is the first Luna release in quite some years. (well 13 years if you want to be more precise). Kiwi Dean Wareham’s droll deliver is just perfect as I prepare our “Hello Fresh” construction this evening.

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Suede - The Blue Hour (2018)

Brett Anderson’s voice is the main instrument I crave for when listening to any Suede record and this is especially the case with his more mellow solo records.

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Giant Sand - Ramp (1991)

This raunchy grungy even, country-punk recording from the early 90s contains not one but two future Calexico members, Joey Burns and John Convertino.

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Moon Duo - Escape (Expanded Edition)(2010)

Holy fuck this is wonderfully intense. If you can’t handle relentless wall-to-wall jamming look elsewhere. If you’re in the mood for mind expansion and turning your brain to mush, you’ve come to the right place.

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Voom - Hello, Are You There? (2006)

This re-release from 2006 is an astonishing hidden-from-me NZ gem that in my universe-wide musical horizon flew completely under my exceptionally big reflecting telescope.

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Tool - Opiate (1992)

Maynard James Keenan hit the ground running with his band Tool. This and subsequent records completely shocked the world of metal, grunge and alternative rock.

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Spiritualized - Fucked Up Inside (1993)

Great live recording of Jason Pierce’s early post Spacemen 3 collective. While it gets off to an unexpectedly noisy start with a barrage of crackles and pops all over the first track, (sometimes I really hate vinyl), but this is soon forgotten as it mainlines itself into my brain.

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Jane Weaver - Flock (2021)

Don’t you just hate it (for those that bow to the inconvenience of vinyl) when the label on side one is different to side two and there’s no discernable way of knowing which is side A or side B.

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Beck - Odelay (1996)

There’s still a lot of life left in ye old compact disc. This album is the epitome of digital geek where studio trickery and massive production nearly trumps the incredible songwriting.

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Japan - Quiet Life (1979)

This wasn’t the starting place for me, that was 1981’s “Tin Drum”, but retrospectively the hint of Japan’s sophistication emerges on this transitional record.

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The Bug - London Zoo (2008)

Holy shit this is one intense slab of vinyl that does not relent over its 6 sides. The complete antithesis and double-handed middle finger to rock’s bloated carcass, this is a welcome challenge that rips musical convention to shreds.

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Fourtet - Beautiful Rewind

This couldn’t be further along the other end of the continuum than yesterday’s outing with Analogue Africa. It’s probably as close to Ambient as I want to get but has an underlying grime to proceedings.

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Various Artists - Cafe Exil (2020)

Bob Stanley and Jason Wood present new adventures in European music 1972-1980 Another fantastic ACE compilation this time focusing on an imaginary soundtrack to Bowie and Iggy’s Berlin hangout, Cafe Exil, in the mid-70s.

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Kevin Rowland - My Beauty (1999)

This universally panned solo record by the Dexy’s Midnight Runner front man is an absolute treasure. The controversial cover probably didn’t help matters but it’s clear the critics weren’t actually listening.

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Barack Obama’s Summer Playlist (Tidal)

I can’t imagine Trump knowing what music is yet alone having a favourites playlist. If for some reason he did have a slither of musical cognisance the soundtrack of his life over over the last 5 years would be “Send Out The Clowns” on continuous play.

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New Order - Movement (1981)

Just 12 months after the demise of Ian Curtis and Joy Division, New Order (initially “The People’s New Order of Kampuchea”) produced this transitional record to very mixed reviews.

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Dntel - Life Is Full Of Possibilities (2001)

This is totally apt to bring in the new year. Released 20 years ago, this is an album of beautiful ambient soundscapes and textures that’s completely sabotaged and ambushed by the alternative, indie world protagonists.

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Bob Mould - Blue Hearts (2020)

Bob is very angry! Hunkered down in his bunker while America burns and Trump tries to chip his way out, Bob creates some of the most vitriolic, heart-on-his-sleeve commentary he’s ever recorded.

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Jarv Is... - Beyond The Pale (2020)

I could listen to Jarvis Cocker recite the phone book (do we still get those?) or possibly of more practical application and in keeping with this record, “The Origin Of The Species” The second song “Must I Evolve” is a question I ask myself every day.

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Dexys - One Day I'm Going To Soar (2012)

My mind is mush, any thoughts of being productive went out the window a week ago, it’s survival mode only. Another work do (which was great), good wishes to all and it’s now time to let go completely.

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Elton John - Caribou (1974)

Being sandwiched between “Goodbye Yellow Brick Road” and “Captain Fantastic And The Brown Dirt Cowboy” doesn’t help. To me, “Caribou” it was just another great Elton John record which I enjoyed as much as the others.

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Sault - 7 (2019)

A punk-funk-soul one-two that leaves you dazed and delighted. That’s the headline. I just love taking risks with music but at the same time I’m quite hesitant when considering my choices.

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Jamie XX - In Colour (2015)

Jamie Smith (XX) and his main collective The XX, are very hard to define musically. Despite borrowing from many different sources they still seem to be bereft of any definable genre.

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Animal Collective - Feels (2005)

You’ll want to listen to this record sober. Just saying. After returning from one of many end-of-year work dos, and putting this record on - my advice would be to play something a bit more conventional.

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Giant Sand - Glum (1995)

I’ve been saving this. This is Giant Sand’s 10th record. I bought my first, and only prior Giant Sand record, 2015’s “Heartbreak Pass”, a few years ago.

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Grimes - Miss Anthropocene (2020)

This is a great example of some of the most challenging, original and richly rewarding music being made in 2020. It’s been a feeble, and in many cases, a febrile year for most people.

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Espers - Espers (2004)

At home feeling a bit under the weather today. Not really in the mood for anything too abrasive so reached for some neo psychedelic alt folk music.

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Lord Huron - Lonesome Dreams (2012)

This pre-loved record has obviously been played to death and there’s a few pops and crackles in evidence. However, it wasn’t until I saw the debris on my stylus that I realised that I needed to do some immediate needle maintenance.

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The Bats - Foothills (2020)

This new record by The Bats is like a big warm sneaky hug. As each song meanders along on it’s lackadaisical way, it’s easy to think “what’s happening here?

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Trees - Trees (50th Anniversary

“Acid Folk, Folk Rock, Freak Folk, Whatever”. This anniversary edition (currently streaming via Tidal) is another revelatory experience from yester year.

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Pylon - Chomp (1983)

A big box arrived via courier today. Now here’s something. I ordered this on Friday morning - it arrived mid Monday morning.

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Pylon - Gyrate (1980)

This is actually my very first listen to this highly revered, post punk band from Athens, Georgia (now hasn’t that been in the news lately?

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Iggy Pop - Lust For Life (1977)

Iggy looks extremely happy on the cover of this record with a grin a mile wide. Why wouldn’t he? He’d just been thrown a great big life line from David Bowie - who co-writ and recorded this and the preceeding “The Idiot”.

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Mansun - Six (1999)

This record never ceases to reveal something new each and every time I take pleasure in listening to it. (Now that’s a bit spooky, I googled a review of the record and found the following echoing my thoughts.

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Trees Speak - Shadow Forms (2020)

Even though the world has gone completely bonkers, this sounds perfectly out of place and refreshingly unhinged. Heavily influenced by Krautrock, “Bitches Brew” Mile Davis and spooky soundtrack music for non-existent horror movies, it’s a bit disconcerting to say the least.

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Lizzy Mercier Descloux - Press Color (1979)

Another fabulous example of late 70s New York No Wave that’s further perpetrated by French invader Lizzy Mercier Descloux. Take some of Serge Gainsbourg’s Afrobeat, combine with Blondie’s disco-inflected punk and Talking Heads’ world music-inspired art pop and you get the drift.

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Joy Division - Unknown Pleasures ( 1979)

I was completely absorbed and inspired to play this following a recent bus commute from Richmond to Nelson. (if I’m honest, the bleakness of this record is warmly welcomed after another day working in that dreadful town they call Richmond!

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Throwing Muses - Sun Racket (2020)

I just couldn’t resist picking this beauty out of the forever expanding bins of prestige new records at JB-Hifi (at The Hutt) and adding it to my ever increasing haul of vinyl-worthy, North Island souvenirs.

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David Bowie - Let's Dance (1983)

If you started your Bowie introduction with this record, that would be a bit unfortunate but palatable at least. It was definitely the beginning of the slide into his own level of mediocrity that lasted the next 10 years.

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Moon Duo - Occult Architecture Vol.1 (2017)

More dirgey psychedelia from the Wooden Shjips’ trippy guitarist and leader Erik Johnson et al. While it gets a bit samey across several albums, (this is my forth Moon Duo record), it’s exactly the samey that I really like!

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Madlib - Shades Of Blue (2003)

More “Jazz Club”! Madlib invades Blue Note. With unfettered access to the Blue Note catalogue, this record is a mangle of classic jazz that’s completely reinterpreted and re-flavoured.

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Mantronix - The Album (1985)

Along with Cabaret Voltaire, who had taken a bit of a right turn mixing menacing electronic textures with funky dance rhythms in the early to mid 80’s, I was totally hooked on the electronic/hip hop mashups of Mantronix.

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ESG - Keep On Moving (2006)

There’s some truly gut-busting, funky minimalism going on here! It’s dance-punk if you really want to label it. The Scroggin sisters, which hail from The Bronx, which now include a new generation of daughters playing in the group, have been around since the late 70’s.

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Elton John - Elton John (1970)

I give Elton’s “Your Song” the same respect as I do for Bowie’s “Space Oddity”. Both fantastic songs released within 6 months of each other, but the albums from which these songs originated were never on my radar until much later.

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Matt Berry - Phantom Birds (2020)

I must admit, I was expecting a bit more of a sideways move from Mr. Berry. (He of “Frost Of London”, “The Mighty Boosch” and the US version of “What We Do In The Shadows”).

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Slowdive - Souvlaki (1993)

A gorgeous mid-nineties dreamy shoegaze record of the highest order. For the unsuspecting, it can be an otherworldly swirl of guitar noise and way-down-in-the-mix vocals, but it’s never short of a spine tingling melody within that dirge.

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The Microphones In 2020 (2020)

Douglas R Hofstadter would have a field day with this one. Hofstadter’s Law states that “It always takes longer than you expect, even when you take into account Hofstadter’s Law.

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Tricky - Maxinquaye (1995)

I finally picked a vinyl copy of this mid-90’s trip hop (whatever?) classic today. If ever there was a record that was vinyl-worthy - it’s this one.

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Linton Kwesi Johnson - Bass Culture (1980)

This is a great relic and snapshot of life in Thatcher’s England. “Inglan is a bitch, there’s no escaping it!” While it is politically and socially charged in places, (Mr Johnson could really getaway with singing about anything), the reggae/dub soundtrack in support of Linton’s wonderful prose is just fabulous!

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Son Lux - Brighter Wounds (2018)

I hate always playing it safe with music and this certainly takes me well out of my comfort zone. And this record which I’m listening to for the first time since picking it out of a bargain bin, does so in such a welcome and refreshing way.

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Moon Duo - Occult Architecture Vol.2 (2017)

Another sonic gem from Portland’s Ripley Johnson (Wooden Shjips) and Sanae Yamada. Some very tasty and oh-so-spacey guitar playing over hooky keyboards and some great drum work from John Jeffrey, elevate this to a thing of mesmeric beauty.

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Public Service Broadcasting (2017)

It’s wet and cold outside this afternoon as this tribute to Welsh miners spins on my turntable. In contrast to the bleakness of the elements, it’s warm and cosy inside as the fire pushes out some serious heat.

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The B-52's (1979)

This relic from the very late 70’s is as infectious as Covid-19! At just under 40 minutes, there’s not one wasted note.

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Moon Duo - Mazes (2011)

Guitar-driven, wall-of-fuzz, melodic mayhem courtesy of Wooden Shjips front man Erik Ripley Johnson and non-affiliated keyboard player, Sanae Yamada. This records gives you a great big warm hypnotic hug.

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The Pop Group - Y (1979)

The antithesis of “pop” this is as abrasive and challenging as it gets. There’s no hiding. The dog is currently nestled under my legs somewhat disturbed by the dissonance.

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Arthur Russell - The World Of… (2014)

This FANTASTIC remastered 2014 compilation on 3 great slabs of vinyl just sounds well…. FANTASTIC! These 11 tracks, all released as 12” remixes, were clearly made for the dance floors of the late 70’s, early 80’s, but really blur the links between Disco, Classical, Jazz and Dub.

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The Slits - Cut (1979)

I’m half way through Viv Albertine’s very candid 2014 book “Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys” She was brought into The Slits as the guitar player who had never actually played guitar.

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Electronic - Electronic (Fact 290) (1991)

The Smiths and New Order. Two of the most influential bands of the 80’s. This masterpiece is the bastard offspring of Bernard Sumner and Jonny Marr, two key members of those respective stalwarts of British post punk.

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Santana - Moonflower (1977)

OK it’s not a “proper” live album - it’s got studio recordings interspersed with the live stuff - but as a 17 year old totally immersed in guitar hero worship, this thing still stings the synapses.

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The Beths - Jump Rope Gazers (2020)

More vinyl I’ve never listened to. It’s great to just buy stuff like in the old days when you only have reference to music choices courtesy of NME, Melody Maker, Sounds and local music rags like Rip It Up.

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Royal Blood - Royal Blood (2014)

It’s hard to believe that this duo from Old Blighty’s Briton can make such a god forsaken racket. Playing just drums and bass, they could cause all sorts of inferiority complexes for many a larger ensemble.

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D'Angelo - Voodoo (2000)

The bottom end on this record is quite extraordinary. You do risk serious damage to your viscera and your speakers if you turn that knob too far.

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Cranes - Forever (1994)

A voice like an angel and a band that plays like the devil incarnate! It’s a beautiful contrast - Elfin meets charging Mastodon.

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Thom Yorke - Anima (2019)

Another stunner from the Radiohead front man. I loved Radiohead’s last record, A Moon Shaped Pool, and it’s obvious that this is a hangover from those sessions.

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Lambchop - Awcomon (2004)

Put on as background music this afternoon while tidying the cave, I was also trying to convince myself that when compared with vinyl, CDs sound like shit.

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Cranes - Forever (1993)

One of the finds of my recent trip to Wellington was this amazing record. Very tastefully remastered, individually numbered and pressed on gold and black vinyl, it is physically, visually and sonically a thing of great beauty.

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Kristin Hersh - Crooked (2010)

I could listen to Kristin Hersh play the bongos while reciting “The Lord’s Prayer”. It would still be mesmerising. To me, she has one of the best and most distinctive voices of all the rock ‘n’ roll women.

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Poliça - When We Stay Alive (2020)

Poliça are a really difficult band* to try and explain or categorise. (* Poliça is really just singer/songwriter Channy Leaneagh and producer Ryan Olson from the larger and just as uncategorisable collective Gayngs).

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Various Artists - Lie To Me (1989)

This year, as Jessie from the “Fast Show” would say, I have been mainly eating compilations. In a most cases this makes for more enjoyable and “active” listening sessions as opposed to just recycling old CDs or “safe” vinyl.

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Van Morrison - Common One (1980)

This morning I discovered a wonderful new podcast for the proper music nerd. It’s called “ The Album Years ” and is presented by one of my familiars - Steven Wilson and his close buddy Tim Bowness.

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The Who - Who’s Next (1971)

I’ve always wanted to re-get this on vinyl (I gave my first LP away in the early 2000s) and was seething with jealousy when fellow shut up and listener, brother Ricardo showed me his big blue.

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Califone - Echo Mine (2020)

Aside from a resurgence of vinyl in my world, I’m tending more and more towards playing music via a streaming service or off ripped files on network attached storage devices.

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Julia Jacklin - Crushing (2019)

Since coming out of lockdown, I’ve decided to take a few punts and purchase a bit of vinyl from my local “Family Jewels” record shop on the strength of reputation and Smithies recommendations.

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T.Rex - The Slider (1972)

This is another one of my big influential records I listened to as a bored, shy and self-absorbed 12 year old at my uncle’s house in Palmerston North.

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Kraftwerk - 3-D The Calalogue (2017)

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Built To Spill (2006)

OK, I’ve never been a big fan of Old Cranky throughout his musical lifespan. With the exception of his early days with CSN&Y, “On The Beach” “Zuma” and “Arc-Weld”, I’ve mainly stayed clear of his guitar and song-writing histrionics.

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The Beatles - Revolver (1966)

This record seems to get a hell of a lot of hyper-praise. I’ve never really singled out albums in the Beatles catalogue to measure or compare against each other but in the case of this particular record, I really can’t see what all the fuss is about.

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Santana - Abraxas (1969)

I really forgot I even had this in my record collection when I went hunting for something substantial today. And this remastered gem on Antarctic Ice Shelf-thick vinyl IS truly substantial.

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David Bowie - Outside (1995)

I’m actively re-assessing Bowie’s records since 1980’s “Scary Monsters”. I have openly stated my apparent unwillingness to accept there was still genius lurking past “Ashes To Ashes” This isn’t Covid-19 related cabin fever talking either, it’s a genuine regret that I’ve followed the sway of the critics rather than making up my own mind.

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Tool - Fear Inoculum (2020)

It’s been full-on 12 hour plus days over a 13 day solid stretch as I rolled up my sleeves and gave all the techy stuff a kick up the pants.

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Monks - Black Monk Time (1966)

A monumental day today in Godzone as we all prepare to go into lock down. It might be time to trawl through your collection or even, God help us, explore some new music!

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Supergrass - Diamond Hoo Ha (2008)

Super-G’s very last record continues with the high-calibre, riff-heavy pop-rock they are renowned for. Over their six studio albums they have made consistently great and seemingly effortless records that without failure, completely kick arse.

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Zed - Silencer (2001)

I took a big punt on this one during my weekly Warehouse bin trawl. Dropping from $49 to $29 and a couple of well known tracks, including the anthemic “Renagade Fighter”, convinced me to part with my cash.

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Jenny Morris - Shiver (1989)

Lovely late-80’s album from Tokoroa-Born Australian citizen, Jennifer Patricia Morris. While it’s got a definite 80’s production vibe, all of songs stand up really well.

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Tame Impala - The Slow Rush (2020)

You know what, I’m getting sick of the same old same old. Three albums in and on the fantastic “Currents” Kevin Parker was getting flogged by the sky’s falling brigade for adding squelchy keyboards and turning his back on his guitar fuelled hazy psych.

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Martin's Session - Feb 2020

The themes were: _Remaining, Or returning - e.g. bands that have never broken up, or have reformed, or members who’ve left and come back, Leaving - E.g. bands that have broken up, or band members who’ve left to forge new careers , Gone For Good - E.g. someone from the latest crop of rock, etc, deaths _

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Stereolab -Switched On (1992)

This really early collection of singles and EPs that were recorded prior to their first album Peng! shows just how far they haven’t come.

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Supergrass - I Should Coco (1995)

Literally just out of Kindy, these Oxford youngsters thrust themselves into mid-90’s Brit-Pop obsessed England. This debut is surprisingly competent for such tiny tots and remains a highly listenable and classic pop record.

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Pink Floyd - The Wall (1979)

There’s no getting away from it - Pink Floyd’s “The Wall” is quite good. It’s certainly the Waters and Gilmour show with some killer songs amongst the more operatic/filler stuff.

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Run The Jewels II (2014)

Just a great big slab of shit-kicking R&B on double teal vinyl to upset the neighbours and add an edge to the Friday night “no work tomorrow” alcohol fueled exhortations.

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Kids See Ghosts (2018)

This is a brilliant collaboration between Kid Cudi and Kanye West. While it’s only an 20 minute EP, it does one hell of a lot during those 1200 seconds.

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Torres - Three Futures (2017)

This record was a complete impulse buy whilst trawling the JB-Hifi bins in Wellington. I heard mention of Torres via the “Sound Opinions” podcast a while back where she was highly revered by Greg Kot.

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Gruff Rhys - Pang! (2019)

Wowee, we’ve got a right one here! It’s the perfect way to see in the new year. Bereft of any English, this collaboration with South African artist Muzi, is mostly sung in Welsh, with a bit of Zulu thrown in.

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The Who - Hits 50! (2014)

There’s no shortage of Who compilations. For me, this is the big, vinyl-worth one. 21 brilliant tracks covering 50 years, this is the ultimate showcase of their greatest, radio-friendly hits.

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Automatic - Signal (2019)

Released just a few months ago, this debut record by LA trio “Automatic”, is possibly my find of the year. On non-stop rotation for the last couple of days it’s wormed it’s way into my brain.

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Boston - Boston (1976)

I’m not a proud man. How could I resist this 2016, 40th Anniversary Legacy vinyl picture disc for just $22! I’ve never really bought into the whole picture disc thing but in this case it convinced me enough to buy this record.

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XTC - Skylarking (1986)

Is this the perfect pop record? A faultless masterpiece from Swindon’s finest. Aside from the Beatles, I cannot think of another consistently brilliant band.

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Group 1850 - Paradise Now [TIDAL](1969)

I recently spotted a reference to Group 1850 in a recent “Shindig!” magazine. [By the way Shindig! is now on Readly , an incredibly cheap and efficient way of getting access to ALL of your favourite magazines digitally.

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Super Furry Animals - Guerilla (1999)

A big hefty chunk of vinyl playing at 45rpm, a “hidden” track on side one you play backwards, a pop-up cardboard engineer in the recording studio inside the lavish gatefold cover, and lots of a complete off-kilter, genre-bending tunes/experiments throughout!

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Stereolab - Aluminum Tunes (Switched On Vol3) (1998)

On Tuesday 3rd March 2020, my latest musical obsession, Stereolab are playing at the San Franscisco Bath House in Wellington. As I may have alluded to previously, I’ve been gathering Stereolab’s entire back catalogue on magnificent triple, clear-vinyl reissues.

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Zero 7 - Simple Things (2001)

I’ve been looking out for a vinyl version of this treasure for a while now. I happened to find it in Hamilton and this is probably the antithesis of that dump.

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NEU! - NEU! (1972)

While the Germans are responsible for the abomination that is the DIN connector they are also responsible for some of the most influential and amazing music on the planet.

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The Fall - Hex Enduction Hour (1982)

A glorious racket! They say there were several bands, including Pavement, that ripped off the Fall sound. That’s complete bollocks! Absolutely no one, now and then, sounds like The Fall.

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George Benson - Breezin' (1976)

Certainly “of it’s time” this jazz-lite record still treats the ears. I’m sure I didn’t pay the $6.99 of the sticker price still attached to the disc but got it along with about 15 other DVD-Audio discs on one of my afternoon raids to the Red Shed.

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Die Antwoord - Die Antwoord (2010)

Die Antwoord still goes down as one of my most gob smacking live music moments ever. Entering the big Boiler Room dance tent completely cold and expecting nothing, I encountered little pixie Yo Landi Vi$$er in full flight “ah ah ah, I am your butterfly - I need your protection”

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The Flaming Lips - Embryonic (2009)

The Lips have always been very generous with their non-standard CD releases - if you can find them. Most of their seminal records, including “The Soft Bulletin” “Yoshimi Battles The Pink Robots” and “At War With The Mystics”, are also available with bonus 5.

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Beach House - Teen Dream (2010)

It’s 6 days since I’ve actually sat down and listened to a full record. Family do take precedence, especially when there’s tiny tots involved, but it is a sacrifice you make never the less.

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Nathan Haines - Shift Left (1994)

Another great haul today. I’ve been eyeing up the vinyl bins at TWH lately ready to pounce. I bought a swag the other day but this Kiwi classic, a 25 Year Anniversary remaster, was still retailing for $49.

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Stereolab - Dots And Loops (1997)

I’ve got a shit load of Stereolab records to work through. 22 sides of beautifully remastered clear vinyl in fact. There’s a new batch of their later catalogue remasters coming soon.

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Jakob - Cale:Drew (2003)

One of my greatest live experiences ever was witnessing Jakob play live at some dodgy club in Nelson to an audience of about 10.

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Steve Rothery - The Ghosts of Pripyat (2015)

Great guitar-based, instrumental solo record from Marillion guitarist Steve Rothery with special guests Steve Hackett and Steven Wilson. Whilst it may be too much to do it justice in a single sitting, there’s some great guitar playing from the main Steve.

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Suicide - Suicide (1977)

Wedged between “The Stooges” and “Talking Heads” in my highly alphabetasied and well sorted vinyl collection, is this true punk masterpiece.

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Angus & Julia Stone (2014)

My (not so) recent trip to Melbourne yielded some surprising good Aussie music that continues to reward. One of my favorites was Dope Lemon’s “Smooth Big Cat” on pretty picture disc vinyl - it’s just fantastic!

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Stereolab - Peng! (1992)

Fantastic debut record from a band I couldn’t do any sort of justice by trying to describe. Led by French vocalist Laetitia Sadier, this just oozes cool.

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Tool - Fear Inoculum (2019)

It’s only been 14 years since their last record! What’s the big deal! Listening for the first time with my best pair of headphones, it’s something I thought I would never hear in 2019.

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Radiohead - In Rainbows (2007)

Absolute awesomeness from the worlds best band from Oxford. Recently purchased on vinyl to add to my “must-have-on-vinyl” list. There’s a few “must-haves” from the R-Heads.

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Hurts - Exile (2013)

One of my less-than-$2-purchases, this completely bombastic, thickly layered, schizo-genre jumper is nevertheless an intriguing and baffling listening experience. There’s nothing here resembling a real instrument but the beats and hooks are infectious.

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Che-Fu - 2 B.S. Pacific [digital] (1998)

“Chains” is right up there on top of my favourite Kiwi songs list. Thankfully, this debut record by Post-Supergroove funk-rocker turned Hip-Hop Maestro Che-Fu is of equal quality throughout.

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The Beatles - Abbey Road (1969)

It’s 50 years since The Beatles walked across that pedestrian crossing opposite Abbey Road Studios. While not quite displacing “Help” as the most significant Beatles record for me, it’s comes pretty close.

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Cloud Control - Zone (2017)

I’ve just about finished with my Aussie haul and I may just have picked the best for last. Meandering along without much effort by the time it gets midway, I’m absolutely hooked.

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Return To Forever - Romantic Warrior (1975)

I finally got this big MF of an album on vinyl! This is one of those watershed records, along with Jeff Beck’s “Wired” and Santana’s “Caravanserai/Moonflower”, that helped to define and steer my musical encounters for the next couple of decades.

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Hatchie - Keepsake (2019)

I was (and still am) a big fan of the dirgy, ethereal, dreamy sounds of mid-eighties Cocteau Twins, Lush, Ride and the collective sounds of This Mortal Coil.

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Low - Drums And Guns (2007)

This record just shouldn’t work. News Flash: Low, the protagonists of slowcore, embrace abrasive percussive elements and discordant organ textures. What it does uphold though, is the wonderful solo and harmonised voices of Alan Sparhawk and Mimi Parker.

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The Modern Lovers (1976)

I made the big mistake of popping in to see Smithies at “Family Jewels Records” at the Freehouse this afternoon. Hey, we were just going for a pint, chunky sandwich and some of Steve’s famous chips.

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The Cure - Pornography (1982)

The Cure at their bleakest. This record, the third record in a trilogy of misery, “17 Seconds” and “Faith” preceded this, makes a lot more sense in these days of utter dispair.

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Che Fu - Navigator (2001)

Another NZ recording artist I’ve admired since first hearing the wonderful “Chains” released nearly 2 decades ago. Brilliantly produced and sounding massive.

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Steely Dan - Aja (1977)

Another record that’s most definitely vinyl-worthy sounds absolutely extraordinary oozing from my speakers this evening. Probably my favourite Dan, this album never stops being a revelation each time I listen to it.

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David's Session - May 19

The themes were: Influenced: One song representative of the music your parents played. , Influenced: One song representative of the music your parents played. , Influence: One track that you would consider to be one of the most important songs you would want your children to listen to., Influenza: Go Sick! Infect us with something new and affecting.

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America - Homecoming (1973)

There’s really no shame these days in admitting you once enjoyed (and still do) the sonic aesthetic of the less than revered artists of yesteryear.

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UT - Conviction [Tidal] (1986)

I’ve made a pact with myself to listen to a brand new new release or brand new old album (or whatever you call a collection of songs by a single artist or curator these days?

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The Young Gods - X X Years (2005)

It’s Friday night - it’s sonics over substance tonight. These Swiss electro-noise terrorists totally anilate all the rule books and smash you around the head with some of the heftiest beats and riffs imaginable.

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The Stooges - Funhouse (1970)

Always one of my favourite records, the importance of this landmark record by Iggy and The Stooges was reinforced this morning while on my Sunday ramble over to Raglan Roast.

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Porcupine Tree - Coma Divine [Live In Rome] (1999)

Just grabbed some feel-good, proggy-pop-rock-metal-whatever-the-fuck-you-want-to-call-it this evening (it’s Friday) and it’s had an immediate pay off. You know the feeling when you just can’t get it loud enough and it gets into your synapses and you think “holy fuck” how good is this!

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The Prodigy - The Fat Of The Land (1997)

A few weeks ago the music world lost Keith Flint, vocal protagonist of The Prodigy. While a complete monster on stage and a savage in the studio, he was apparently one of the nicest, kindest and most thoughtful souls on planet music.

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Dire Straits - Love Over Gold [Tidal] (1982)

A big moment happened today that will potentially have a huge impact on my future consumption of music. While near the checkout with several albums ready for purchase tucked under my arm, (including this), the realisation suddenly hit me that “I don’t need physical media” anymore.

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Matt Berry - Opium (2008)

Most people just wouldn’t get this and I wouldn’t want them to. Matt Berry, who is due to be one of the stars of the new “What We Do In The Shadows” TV series, is a acting, comedy and musical genius.

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Mercury Rev - All Is Dream (2001)

Nothing short of profound, this turn-of-the-new-millennium record, with ostentatious string arrangements by Tony Visconti, is a beautiful mess. I’d never be one to recommend Mercury Rev’s singular vision and introspective execution as a “must have” for any one’s music collection.

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Scott Walker - Scott 4 (1969)

This record is the late 60’s crooning Scott Walker NOT the so-fucking-out-there, avant-garde-doesn’t-do-it-justice Scott Walker of a more recent era. That later day Scott Walker still claims top spot for the most profound Shut Up And Listen session ever experienced in nearly 2 decades!

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Talk Talk - Natural History (DVD)(2007)

The recent death of Mark Hollis at just 64 years of age was a big shock. His early songs from the first three Talk Talk records, while sounding clearly of their time in the mid-eighties, were the epitome of pop hook on continuous replay.

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Prefab Sprout - Crimson / Red (2013)

A beautiful return to form for Paddy McAloon. A cast-aside solitary CD recently (re)-discovered in a Red Shed bargain bin. There’s absolutely no let up in quality from his (Prefab Sprout’s) earlier masterpeices “Steve McQueen” (1985), “Jordon: The Comeback” (1990) and the astounding “I Trawl The Megahertz” (2003).

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Lou Reed - Transformer (1972)

I haven’t finished with Bowie just yet. This record from 1972, coinciding with the release that year of Ziggy Stardust, is my third favourite Bowie record.

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David Bowie - Low (1977)

I remember like it was yesterday popping into one of many of my favourite record shops on my way home from school and hearing this complete game changer for the first time.

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David Bowie - Hunky Dory (1971)

There’s possibly nothing in my entire collection that is as ageless as this masterpiece. The fact that my son Peter listened to this in his car on his wedding day speaks volumes.

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David Bowie - Space Oddity (1969)

I’m breaking out the Bowie box sets this February. It’s wall-to-wall studio Bowie records only this month - starting with this, his first “proper” album through to 1980’s “Scary Monsters”.

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Placebo - Placebo (1996)

A placebo is a substance that has no therapeutic effect or a measure designed merely to humour or placate someone. Placebo, the band, are more often than not treated similarly by the music press.

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Can - Ege Bamyasi (1972)

If you haven’t listened to this band, I urge you to drop everything and do so right now! Start with this fantastic record, circa 1972, then work your way up from 1969’s “Monster Movie” through to 1973’s “Future Days”.

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Pink Floyd - Pulse [Vinyl Box] (1995)

Ok, more “Dad” rock this evening but there’s a good story behind this one that involves The Big Red Shed. While browsing the vinyl bins recently I came across this beast of a box set newly remastered on 4 big slabs of vinyl.

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Prodigy - Music For The Jilted Generation (1994)

A classic dance/drum’n’bass/rock/metal cross-over record that absolutely slam dunks all of the big beats, electronic riffage and squelchy brilliance. We lost a past “Shut Up And Listen” member because of this band (notably “Smack Your Bitch Up”).

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Mad Season - Above (1995)

An absolute stonker of a record this evening. This is truly a forgotten gem from the very short-lived Seattle supergroup made up of members of Alice In Chains (Layne Staley), Screaming Trees (Barrett Martin), Pearl Jam (Mike McCready - who I tolerate big time on this record) and some dude called John Baker Saunders.

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Mr David Bowie - Ziggy (SACD)(1972)

If you don’t get goose bumps during Ronson’s “Moonage Daydream” solo you are fucking deaf and probably musically bereft. The end of “Soul Love” as it counts down into the first note of that song is also as perfect a moment on any record that I can think of.

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Low - Christmas (1999)

The relevance of this album is obvious. It’s a simple little record of Low doing Christmas stuff. Essential themed Slowcore.

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Joan As Police Woman - The Deep Field (2011)

I’m in a very specific mood this afternoon as tensions build towards Sunday’s big event (my lad’s wedding day). I tried to listen to one of my bargain bin haul items (Jaco Pastorious - Jaco OST) but that was no where near up to scratch and lasted a couple of tracks.

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Field Music - Open Here (2018)

Another stunning release from Sunderland’s Brewis brothers. Purchased from Marbecks on a recent Auckland excursion, this very vinyl-worthy long player is clearly made (on clear vinyl), for needle and groove.

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My Computer - No CV (2005)

I was first attracted to My Computer by the mythical and magical debut release “Vulnerabilia” which I never managed to get a physical copy of in any format.

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Dimmer - I Believe You Are A Star (2001)

It’s a fucking outrage that this record isn’t even listed on Dimmer’s discography on Allmusic.com Not only is this one of NZ’s best ever records, it’s an extraordinary example of world class songcraft and production.

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Kikagaku Moyo - Masana Temples (2018)

I possibly heard about this record while listening to the “All Songs Considered” podcast on one of my mindful(less) walks. It was one of those WTF moments where you stop in your tracks and take note of who and what before it’s all lost.

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Piano Magic - Closure (2017)

What a big old pleasant surprise this was then! I bought this at Real Groovy in Auckland recently with the carrot of a “$5 off” sticker gracing the front sleeve.

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The Horrors - Higher (2013)

I needed some chill down music this evening. I’ve just arrived back from Auckland after a spectacular live show last night at one of the best venues I’ve ever been to.

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Wire - Red Barked Tree (2011)

A randomly chosen selection this evening. Despite being four decades since their highly revered, smack-you-around-the-head trio of utter brilliance, Mr Colin Newman and Co return with a very worthy stunner that harks back to their best.

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Marlon Williams - Make Way For Love (2018)

A talent like this doesn’t come along very often - ahem, unless you come from the lower South Island. Nadia Reid, Aldous Hardling and Marlon Williams are part of the mother folking good South Island Kiwi’s pushing their esoteric but trending trendy, angst-ridden tunes around the globe.

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Mogwai - Special Moves [DVD] (2010)

I swear, I will NEVER attend a live Mogwai event. I’m long past going to sonically damaging gigs where your ears fight for recovery for the next few days and your internalised speech sounds like an old transistor radio.

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Genesis - Video Show [DVD] (2005)

Love em or loath em, Genesis after Peter Gabriel and Steve Hackett left, became even bigger stadium fillers and fully transformed into mega selling, production line pop superstars.

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Cate Le Bon - Crab Day

I still haven’t trawled through all of my $2 “take-a-punt” CDs from Te Whare Putunga. After my Steven “Bloody” Wilson marathon last month, I’m ready for some fresh sounds.

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Steven Wilson - Get All You Deserve (2012)

Behind the veil. One of the best props I’ve ever seen at any gig is the transparent/translucent cloak that Mr Wilson’s band plays behind on this 2012 recorded gig and also experienced live for most of his 2016 gig in Auckland.

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No-Man - Flowermouth (1994)

Yet another piece of the musical heritage puzzle that is the Steven Wilson brand. This early 90’s record is a largely experimental, but highly accessible pop record made in collaboration with vocalist Tim Bowness.

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Porcupine Tree - Up The Downstair (1993)

Nearly a decade prior to the release of one of my favourite SW moments, 2002’s “In Absentia” where things started heading North towards metal, this gem is a previously neglected treasure trove of progressive rock meets psychedelia.

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Bahamas - Bahamas Is Afie (2014)

Fuckin’ Canadians! Sarah has the TV permanently tuned to Channel 17 on Freeview. HGTV is dedicated to the very best in home improvement, DIY design, real estate and gardening - Canadian style!

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Ween - Chocolate And Cheese (1994)

“The Pod” and especially “Pure Guava” was my (and fellow SUAL’er Martin’s) introduction to the absurd but incredibly inventive and musically proficient Ween.

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Chiodos - Devil (2014)

Another $2 random roulette choice from the big red shed. To be fair, this has some great and not-so-great moments. I think the good bits outweigh the less satisfying bits - so I’m not losing sleep over my impulsive purchase.

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Icky Blossoms - Mask (2015)

These Nebraskins are clearly locked inside a mid-80’s time warp. There’s lots of electronic noodling, trance-like ridums and some ever so pleasingly analogue synths at play.

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The Only Ones - Baby's Got A Gun (1980)

A criminally underappreciated band that I simply couldn’t (perhaps can’t) get enough of. Peter Perrett’s fragile, vulnerable, between-keys voice is stunningly authentic and matched for uniqueness and virtuosity by John Perry’s amazing fret work.

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Nitin Sawhney - Dystopian Dream (2015)

Nitin Sawhney’s first record, which I encountered at the end of last century, was a game changer for me. Jeff Beck covered the track “Nadia” from that album a year or two later and it was soon after this that I joined the “ Shut Up and Listen ” group on the strength of that one song.

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M83 - Before The Dawn Heals Us (2005)

I didn’t see this coming at all. On first encounter this was totally unexpected. For some reason I had previously assumed M83 was some lo-fi, punky angst band from France and had always thought their acclaimed album “Dead Cities, Red Seas…” was some sort of Green Day/angry band revamp.

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Emile Haynie - We Fall (2015)

I spilt my coffee all over my desk at work and into my back pack this black Friday morning. Coincidence, not really - shit happens sometimes and I was a fuck wit for being so careless.

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Au.Ra - Jane's Lament (2015)

Mesmeric debut from Sydney duo Au.Ra. I’m not prepared to put a label on it but it’s up there with a couple of other favourite and recent Aussie releases.

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David Gilmour - David Gilmour (1978)

This record is more often than not completely rubbished by the music critics. This debut by the ex, and once second-in-charge Floydian, is full of trademark Gilmour and recalls great memories of me playing this with great regularity.

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TV On The Radio - Seeds (2014)

I did the $2 grab bag from TWH this afternoon. Picked up eight quite obscure albums (including The Pop Group’s “Citizen Zombie” and Iron and Wine’s “Sing Into My Mouth”) - all for under 20 bucks.

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Sugar - Copper Blue (1992)

Faultless post-Hüsker Dü record from their legendary front man. Despite a brain melting wall of guitars, it’s the hook of great melody amidst all of that power that prevails over everything else.

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Fleetwood Mac - Future Games (1971)

I’ve listened to Peter Green’s Fleetwood Mac, up to and including the excellent “Then Play On” and the megastar Linsey Buckingham-era Fleetwood Mac that peaked with “Rumours” and “Tusk”.

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Mick Ronson - Heaven And Hull (1994)

I make no bones about it. Mick Ronson was/is the most important guitar player of my lifetime. It’s a bold statement - but when you first encounter “Moonage Daydream” as a bare-arsed 12 year old, it counts for everything.

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Uriah Heep - Demons And Wizards (1972)

This record, along with their earlier “Very ‘Eavy Very ‘Umble”, Tull’s “Aqualung” and the incomparable and never bettered, The Who’s “Live At Leeds” were HUGE for me as a shy, day dreaming, on-another-planet 12 year old.

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The Roots - Phrenology (2002)

It’s a mixed bag for me this one. Some of the more experimental stuff grates but then the record completely absolves itself with some incredibly hooky bass-lines and riffs and several songs to die for.

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The Wolfgang Press - Funky Little Demons (1995)

These dudes started off as a post-new-wave, gothy-punk-avant-garde-noise-band. (It’s a proper musical genre, I’m telling you!) However, I didn’t become aware of them until they morphed into a fully fledged white boy funk band and five albums into their 4AD label tenure.

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Jethro Tull - Benefit (1970)

[5.1 DTS SW Remaster] What a revelation this wonderful recording is. While my Tull experience really started with “Aqualung” and “Living In The Past” and ended with 1978’s “Heavy Horses”, their back catalogue is well worth exploring.

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Thin Lizzy - Fighting (1975)

This is where it all started with me and the Lizzy boys. The best dual guitar attack since Dick Wagner and Steve Hunter ambushed Lou’s “Rock’n’Roll Animal”.

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Led Zeppelin - IV (1971)

A bit of magic on this Friday the 13th. Appropriately kicking off with “Black Dog” the diversity and musicianship on this record doesn’t relent until the final note is squeezed out.

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Pepe Deluxe - Beatitude (2003)

This Monday night debrief requires serious frivolity. This under-the-radar masterpiece is filled with an impossible array of the most luxurious sounds courtesy of two very clever Finnish wax spinners.

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Blackfield - Blackfield (2005)

I’m at it again I’m afraid. I’m playing it safe and listening to my goto band . One reason why I love this band is that includes possibly my most listened-to-artist of the last 10 years - Mr Steven Wilson.

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Interpol - Our Love To Admire (2007)

“Expert” reviews can really be polarising. I nearly didn’t watch a very good thriller the other night, a most entertaining and exciting Jackie Chan/Pearce Brosnan movie “The Foreigner”, coz at least half of the reviews said it sucked.

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Luna - Bewitched (1994)

I’m just about to dig into the book “Black Postcards: A Memoir” by Wellingtonian Dean Wareham, founder of Galaxie 500 and Luna.

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Blackfield - V (2016)

When I just want to be pounded by some melodic pomp that doesn’t require much investment in meaningful listening I usually turn to the wonderful Blackfield.

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SZA - CTRL (2017)

Got this big chunk of glorious translucent green vinyl via courier yesterday from Real Groovy in Auckland. I’ve been streaming this beauty for the last couple of months and simply can’t get enough of it.

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Japan - Tin Drum (1981)

An extraordinary record that never fails to confound me. Japan wasn’t really a band that fitted in at the time (or at any time for that matter!

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The Cure - Trilogy [DVD] (2005)

I’m not sure why a fat, mascara-dripping, lipstick-smeared, aging gothic clown with big hair playing the most maudlin dirge on the world’s ugliest guitar is so engaging.

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Suede - Suede (1993)

It’s goose bumps time again! One of the best British bands in recent history, lead singer Brett Anderson takes a big dollop of Bowie’s glam and mixes it with Morrisey’s glum.

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Deutsche Elektronische Musik 3 (2017)

Experimental German Rock And Electronic Music 1971-81 I wasn’t overly keen on going for a pint on Saturday despite it being muggy, late-afternoon, a spontaneous activity and tempered with a perceived sense at least, that it would more than likely result in a free beer.

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Led Zeppelin - Houses Of The Holy (1973)

Led “Folking” Zeppelin. After hearing Fairport Convention’s “Reynardine” the other night at our monthly “Shut Up and Listen” session, I was struck by the Led Zeppelinesqueness (yes it really is a word - google it!

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Th' Faith Healers - Imaginary Friend (1994)

Another messy, lower than lo-fi chunk of American noise/Krautrock from London’s Hamstead. WTF, I always assumed they were American! After some fact checking I found out they were actually part of the Camden lurch scene of the early to mid 90’s.

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Yo La Tengo - Extra Painful (1993)

One of my favourite slabs of vinyl gets some rotation time this afternoon. I usually don’t bother with remastered, re-purposed and re-marketed records that have an abundance of demos, b-sides and obscurities that you might listen to once.

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Hole - Live Through This (1994)

I should have played Rory this evening. “Too Much Alcohol” perhaps? OK it’s Friday post-work - we have two choices. Go home and do some housework or have a friendly pint at The Free House.

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Miles Davis - Bitches Brew (1970)

I was really hesitant about playing this record today and as I later found out, for very good reason. On a morning walk with the dog, I listened to my favourite podcast, Marc Maron’s WTF .

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The Week That Was (2008)

The moment I pushed the small, shiny, bit-encoded, digital data storage format, optical disc into my optical drive transport and digital analogue conversion mechanism, I instantly realised “Fuck this is good!

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Laurie Anderson - Homeland (2010)

There’s something rather comforting about Laurie Anderson. She’s very much an “Emperor’s New Clothes” protagonist. While written following the big financial crisis of 2008, it just seems so relevant in today’s bonkers world.

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Ronny Jordan - The Antidote (1992)

Nothing heavy this evening, just throw me some hooky grooves that take me to my happy place. While this ain’t proper jazz, there’s far less maths going on in these tracks, it’s just enough for me to dip my toes into on this balmy evening.

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Radiohead - Kid A (2000)

It’s a bit scary putting this record on when people are around. I was happy when my wife Sarah left the house this evening midway during the first track.

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Opeth - Damnation (2003)

Another stunning hi-res recording. This time from the world’s best exponent of Swedish psychedelic progressive extreme folk metal. This is an album that would not offend anyone except maybe the hardcore Swedish death metal die-hard who considers this record the moment Opeth sold their souls in favour of enlightenment and creativity.

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Pink Floyd - Animals (1977)

2017. What a fucking pig’s breakfast of a year. It’s been great in so many ways personally, a new Grandchild, a Wedding in Australia and we’re not bankrupt.

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Protomartyr - The Agent Intellect (2015)

(punctuated with Tool’s “Stinkfist”) Fucking Kettley’s at it again!! Been out, come home. The prick’s got some awful, bassy house music blarring out his back patio (sounds like it’s coming out of his arse!

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Yeasayer - All Hour Cymbals (2007)

This wonderfully cheerful, possibly life affirming, record comes courtesy of a random glance at my CD’s this afternoon. It’s Summer, it’s hot and this bigger than life recording does the trick nicely.

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Tame Impala - Currents (2015)

It’s December already! Off to Melbourne on Sunday for my daughter’s wedding. I thought it more than apt to honour the Aussies with one of their more competent and revered musical eccentrics.

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10CC - Sheet Music (1974)

Another fantastic sounding remaster from 10cc’s early catalogue. An incredibly diverse range of genres and oh so clever-Trevor-ness. Self-referential and up it’s own arse but extremely engrossing all the same.

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10CC - 10CC (1973)

I dropped the needle on this big slap of recently remastered ruby red vinyl and gasped in stunned disbeleif. If there’s ever an argument in favour of vinyl over digital - this just has to be it.

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Yes - Close To The Edge (1972)

I’m not sure if I was exposed to this record first or the earlier “The Yes Album”. Whatever the case was, the impact was astounding but just not a positive one at the time.

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The Cure - Faith (1981)

There’s nothing much I can say about this record that wouldn’t demean it’s importance in my musical world. While every track, aside from the rollicking “Doubt” is the epitome of understatement and restraint, it’s the final track “Faith” that will take pride of place in my funeral march or on my death bed (I’m not really one for ceremony).

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Blancmange - The Very Best Of Blancmange (2012)

Another great bargain bin find that helps greatly with my retro-manic obsession. I was listening to these dudes along with Human League, Heaven 17, OMD and god help us all, China Crisis back in the post punk, new wave, serious band transition period!

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David Bowie - Pinups (1973)

It’s a strange one this one. While rubbished by many, Bowie purists and otherwise, this is quite possibly my second favourite Bowie record (my actual favourite Bowie record seems to be one of many!

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Peter Green - Anthology (CD2) (2009)

You know what? Lorde gets cooler by the day. There’s a wonderful recent interview with her on the “WTF” podcast series with Marc Maron, where she raves about her favourite artist of all time, Peter Green.

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Traffic - Traffic (1968)

Picked up this beautiful gate-fold vinyl record for bugger all from the big red shed. (BTW The Warehouse remains my greatest source of musical treasures - now isn’t that just a bit sad?

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Iggy Pop - The Idiot (1977)

Bowie’s all over this. While “Low” was the high mark of his career, he lent an almighty hand to the Iguana’s rehabilitation at the same time.

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XTC - Drums And Wires (1979)

My first encounter with XTC was this record. Aside from the truly iconic cover that grabbed my attention, it was this record that helped me to move from listening to the marginally talented punk/post-punk bands to proper musicians that took risks.

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Cream - Disraeli Gears (1967)

I remember seeing Cream’s farewell concert on the goggle box back in the early to mid 70’s. It was fairly brutal stuff that really didn’t hold that much interest for me.

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Wolf People - Steeple (2010)

Any band that recycles the mighty Tull, flutes and all, better get away with it. While more an amalgam of everything 70’s, guitar riffs, long hair and flairs - it’s no gimmick.

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Pretenders - Pretenders (1980)

I wasn’t much of a Pretenders fan really, but their first record is an absolute stunner and totally vinyl worthly. (when it’s $25 on newly minted vinyl at TWH it’s a no brainer!

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Wolfmother - Wolfmother (2005)

I was going to reach for my freshly minted copy of The Jimi Hendrix Experience’s “Electric Ladyland” but my tired demeanour and waning concentration could never do it the justice it clearly deserves.

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Rory Gallagher - Irish Tour '74 (1974)

Rory was a guitar god when I was 15. This amazing record was always on high rotation and in it’s original 2 LP format, was one of my first ever purchases as an after-school, money-earning, bare-arsed and awkward 15 year old.

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Black Sabbath - 13 (2013)

I picked up this 2x vinyl/2 CD package for an absolute pittance a few months ago at TWH. I had been stalking it for a while and took my opportunity when they had one of their ridiculous sales.

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Marillion - Marbles (2004)

They’re a snobby bunch! Prog has always suffered badly when judged by the “mainstream” music press. You won’t see a review of any Marillion record in Uncut, Q Magazine or Mojo.

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Fleet Foxes - Crack-Up (2017)

A far cry from Friday’s everything-bar-the-kitchen-sink early 70’s psycho-soup, this is sparse and demanding of concentration. These are the records I really treasure the most.

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Funkadelic - Maggot Brain (1971)

Bought this chunk of vinyl from Grant Smithies new “Family Jewels” record shop this very day. Hopefully, this record shop will fill the big void for us Nelsonians wanting a decent vinyl supply.

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The XX - I See You (2017)

I hummed and ha’d about getting this on vinyl and relented today when it finally made an appearance at TWH. I’m glad I did - it’s a fucking monster of a record that deserves the uncompressed, unrestrained bandwidth of analogue.

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XTC - English Settlement (1982)

This record is just an embarrassment of riches. I really had forgotten just how brilliant this album is. Not a wasted note from start to finish and at over 70 minutes in length, that’s a big ask.

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Michael Brook - Cobalt Blue (1992)

When you add the calibre of Brian Eno and Daniel Lanois to proceedings you just know it’s special. This instrumental album, showcasing some very impressive processed guitar playing and harmonics, borrows from a myriad of influences.

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The Amps - Pacer (1995)

A very short lived but brilliant interim project from The Pixies’ and Breeders’ Kim Deal. I always thought that the Pixies and Breeders were misplaced on the 4AD label.

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Heidi Berry - Miracle (1996)

About as close to Celtic folky stuff that I would chose to get. I’m not a great fan at all but this record combines Heidi Berry’s wonderful vocal delivery with Violinist Anne Wood’s unconventional but stunning string work.

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The Breeders - Pod (1990)

Insane cover, insanely good record! And all over in less than 30 minutes. I had the pleasure of seeing them support The Smashing Pumpkins in Wellington in 1994.

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Depeche Mode - Spirit (2017)

I’ve been listening this for a few months now via Tidal and on the strength of repeated listens I needed to own the plastic, Their best record since Violator it’s also their bit “Fuck America!

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Arab Strap - The Week Never Starts Around Here (1996)

Brilliantly murky and minimal, this is the wonderfully named Scottish duo’s first record. The largely spoken vocals (with the broadest Scottish accent you’ve ever heard) and slightly out of sync and meandering instrumentation reminds me of Slint or The For Carnation.

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The Who - Tommy (1969)

Bought the magnificent Tommy Deluxe box while in Wellington recently. I’d skipped it on several occasions as it was just too expensive.

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Mew - Visuals (2017)

Mew don’t tend to stream stuff, so this demanded the purchase of their shiny new CD expertly tracked down on my recent trip to Wellington.

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Labradford - Prazision (1994)

This was another reference in a recent podcast - in this case the focus was on “Post Rock” music. I’ve always loved ambient-infused rock music that strips any “n’roll” out of the mix.

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Bivouac - Tuber (1994)

Just finished watching (not intentionally I’ll have you!) a bit of the appalling Graham Norton show. On that show was some god awful female Euro-vision contestant who was about to represent Great Britain in that wonderfully relevant competition for the European community (whoops!

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Ryan Adams - Ryan Adams (2014)

I’ve just finished listening to a great interview between Ryan Adams and Marc Maron courtesy of WTF podcast . (I can’t recommend this wonderful podcast highly enough - well worth exploring.

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Blonde Redhead - Barragan (2014)

Live: Blonde Redhead - Monday 29/09/2014 - Islington Assembly Hall, London I’ve been a huge fan of this New York-based threesome for many years and was thrilled to see them play live at the awesome Islington Assembly Hall.

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The Black Angels - Passover (2006)

Live: The Black Angels/Black Mountain - 07/10/2010 - Shepherd’s Bush Empire, London A wonderful “two-fer-one” at one of the planets best rock venues, these two great stoner groups really stirred up the big Psych pot.

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Smashing Pumpkins - Siamese Dream (1993)

Live: Wednesday 4/02/1994 - Town Hall, Wellington (with The Breeders!)Live: Monday 27/05/1996 - Town Hall, Christchurch I won the album “Siamese Dream” and a T-Shirt at Everyman Records back when it was released in the early 90’s.

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The Cure - Wish (1992)

Live: Wednesday 13/08/1992 - Town Hall, Wellington I absolutely loved this gig and it goes down as one of the longest I’ve ever been to at nearly 3 hours.

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Tool - Lateralus (2001)

Live: Friday 19th April 2002 - Queen’s Wharf Event Centre, Wellington (support Melvins)Live: Friday 21st January 2011 - The Big Day Out, Auckland Two unforgettable gigs nearly 10 years apart.

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Sonic Youth - Washing Machine (1995)

Live: Wednesday 10th January 1996 - Town Hall, Wellington Live: Saturday 26th June 2004 - St.James Theatre, Auckland “The Diamond Sea” played at Wellington Town Hall in 1996 could possibly be my single best live musical “moment”.

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Vampire Weekend - Contra (2010)

Same year and era as Tuesday’s record, but an entirley different beast altogether. An Afro-infused ryhtmic treat. Think Paul Simon’s Graceland but with autotune and a greater pop sensibility (and more hooks).

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Tweak Bird - Tweak Bird (2010)

Dirty old psychedelic blues played by Illinoisan brothers Caleb and Ashton Bird. (They call it sludge metal in those parts!) Riff after infectious riff - it’s relentlessness is wall to wall.

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Slayer - Reign In Blood (1986)

I’ve got 30 minutes to spare this afternoon. I’ve therefore taken a speed over substance approach. This classic (highly regarded by speed metal purests anyway) is literally all over in a flash - but what a flash!

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Bill Fay - Life Is People (2012)

Working at home on a Wednesday demands a certain level of restraint - it’s a work environment afterall. This is a beautiful record to create a relaxed and undisturbed afternoon while pondering the complete fabric of life.

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Ruby - Salt Peter (1995)

Stunning debut from Ruby aka Leslie Rankine. Released more that 20 years ago, this is Nine Inch Nails meets Portishead. Not always easy listening Not always easy listening but invigorating to say the least.

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Ryan Adams - 1989 (2015)

I’ve never heard Taylor Swift’s 1989 album . Ryan Adams covers it in it’s entirety on this record - track-by-track. I’m not interested in comparisons however, as this stands alone.

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King Crimson - Discipline (1981)

In the early 80’s, when I first encountered this recording, it was one of the supposed “Dinosaur” bands that just slipped this record in and made themselves right at home with new wave.

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Ryan Adams - Heartbreaker (2000)

This just sounds majestic on my turntable. This is another example of a record best experienced on vinyl - spread over 4 sides, there’s plenty of breathing space in those grooves.

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No Man - Schoolyard Ghosts (2008)

It’s after 9pm on a Thursday evening. Kettley arrived home next door late afternoon and cranked up his Pearl Jam. (I’m so pleased I declared this on my 10 bands I fucking hate list!

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Echo And The Bunnymen - Heaven Up Here (1981)

Very recently pressed on beautiful blue vinyl. I got another one of my desert island discs delivered on vinyl today. While not as loud as I really wanted, (I remember reaching astounding volume when I used to play this on vinyl), it certainly sounds rich and spacious.

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Lamb - Lamb (1996)

A remarkable debut from Manchester duo. While seemingly labelled within the “drum’n’bass” genre, it is far too good to be tarnished with that brush.

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Tool - Opiate [EP] (2006)

I needed a short, sharp burst of proper metal-infused, hard-edged rock this evening. Hopefully to fuck up the neighbours (who have a tendency to party into the wee hours) but unfortunately you need a really crap sound system like theirs to do the damage.

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PiL - Album (1986)

Today is John Lydon’s birthday. Being empowered with this knowledge, I immediately reached for my collection of PiL (Public Image Limited) records, Lydon’s post Pistols collective.

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Gerry Rafferty - City To City (1978)

I just couldn’t resist getting this widely acclaimed, newly remastered record on vinyl for the measly price of $15. The only downside, Paul Henry’s favourite song, the second song on this record, is “Baker Street”.

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XTC - Mummer (1983)

Possibly XTC’s most reviled album but for me it’s just full of wonderful moments. This is post Andy Partridge’s melt down and led to his refusal to ever tour again.

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Teenage Fanclub - Here (2016)

“Harmless enough!” you might think but by the third song you are fully infected/affected by their luxurious folky pop mantra. Possibly the most laid back bunch of Scots on the planet, they just continue to make wonderful records.

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Roddy Frame - Surf (2002)

While a bit samey - it’s a great samey. Just Mr. Frame and an acoustic guitar. It’s all very mellow and full of wonderfully simple tunes and sentiments.

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Stereolab - Fab Four Suture (2006)

A tasteful compilation of 4 Stereolab EPs released between 2005 and 2006. The way this was recorded and compiled from separate recording sessions makes this a very palatable and fresh record indeed.

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The XX - The XX (2009)

The song “Heart Skipped A Beat” completely does my head in! This is the entire The Cure’s “Seventeen Seconds” wrapped up in one song.

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Loop - A Guided Eternity (1990)

Not the usual Friday evening fodder, but when one wants to purge this is as good as it gets. This just about drop kicks every musical genre known to man (and alien) out the window but still transcends all of it.

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Opeth - Sorceress (2016)

Swedish Death Metal you can play to your church-going 90 year old grandmother or at the very least you are comfortable knowing you don’t have to reach for the volume controls every few minutes to avoid the growly bits.

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The Boo Radleys - Wake Up Boo! (1995)

Loved the Boos from their first proper record, 1992’s “Everything’s Alright Forever”. That was a rowdy, and somewhat murky affair (just post MBV’s “Loveless”) but definitely hinted of great things to come.

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Sonic Youth - Evol (1986)

This album was probably the starting point for me when music shifted from an Anglo-centric template (The Smiths, The Cure, The Bunnymen) to a much richer and wider aural palate and gave me a greater appreciation of American bands.

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Moby - Play (1999)

I can’t believe this is getting close to 2 decades old (give or take a couple of years). The perfect feel good, no-brainer record for a Friday night.

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Pink Floyd - Meddle (1971)

I heard a great interview on my commute to work this morning - a 40 minute cycle ride completely zoned out courtesy of episode 755 of Marc Maron’s WTF podcast .

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David Bowie - Diamond Dogs (1974)

On Vinyl (Remastered 2016) One of my favourite Bowie records - this REALLY takes me back. As a barely-teenager, I was really starting to get completely obsessed with the whole alien freak thing and happened to win this on a local radio promotion.

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Slint - Spiderland (1991)

It’s that time of the year to bring this beauty out. What a fucking bonkers week!! Earthquakes, storms, floods (all predicted by Brian Tamaki by the way) and the further indignity of work!

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David Bowie - David Live (1974)

On vinyl of course! Another essential record from my formative teenage years. First experienced, along with many other auditory pleasures, at my Uncle’s pad in Palmerston North.

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Curve - Cuckoo (1993)

Another great find at the record fair yesterday. Curve’s second release in pretty mint condition. This is a huge sound with lots of fuzz and riffy keyboards.

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Mew - +- (2015)

You always know what you are getting with Mew. More beautiful, rich and melodious anthems that soar with multilayer voice(s) to the fore.

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Field Music - Plumb (2012)

This is one busy record. Always up there on my “should not be obscure” list, Field Music deliver truly dynamic, tempo changing, complicated but catchy pop music.

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Elton John - Rock Of The Westies (1975)

One of my guilty pleasures is still liking some early Elton John records. While this is possibly my favourite Elton John record, for numerous and quite frankly unexplainable reasons, this is definitely the end of the line as far as my E.

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Cornelius - Sensurround (2008)

Is this the best sounding 5.1 DTS recording on the planet? This little chunk of plastic rendered by my player and theatre system/amplifier in glorious surround sound certainly warrants that tag.

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Temples - Sun Structures (2014)

Brilliant debut from 4 Kettering lads. Along with Tame Impala, who springs to mind immediately, these neo-retro specialists are stuck in a mid to late 60’s time warp.

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Assoicates - Sulk (1982)

Billie Mackenzie had one of the most distinctive and extraordinary voices in pop/rock history. He eventually met a tragic, self-inflicted demise despite being an exceptional but underappreciated talent.

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Polica - United Crushers (2016)

On pink vinyl. I can honestly say that no one makes music quite like Polica. It is however, a band that gets right inside my brain and like any mind altering phenomena, I just want more but I’m not sure why?

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Shellac - Dude Incredible (2014)

This is just an earthy, no frills, 3 piece (including the legendary Steve Albini) making another great racket. Probably the antithesis of the previous Grouplove session.

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Suede - Coming Up (1997)

I remember seeing Suede on TV whilst on holiday in Hastings around the time of the release of this album (Jools Holland if I remember) and was totally blown away.

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Tool - Salival (2000)

After a day of hearing the “I’m so busy” chant at work (ah diddums!) it’s time for a blow out. Tool live is one of the greatest rock events I have ever experienced.

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David Bowie - Re:Call 1 (2015)

On Vinyl It’s not a mandatory requirement to understand or even pretent to understand what a musically gifted genius is singing about.

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Blur - The Magic Whip (2015)

On Double Vinyl! I’ve had this a while, but was reluctant to play so as not to be disappointed. No fear of that however, it’s a bit of a humdinger.

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Electrafixion - Burned (1995)

Hey, I like this. Ian McCulloch and Will Sergeant go full throttle and grungy during their post-bunnymen/pre-reformation period. Full of searing guitars and anthemic meanderings - it’s a wall to wall classic.

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Donald Fagan - Morph The Cat (2006)

Play that funky music white boy! This is great for a Friday night cleaning out my den upstairs. Never one to deviate from his vintage and well oiled template, it’s still comforting that he remains this consistently good.

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Kraftwerk - Trans Europe Express (1977)

On Vinyl More 70’s magic. Kraftwerk was so important to me at around the late 70’s early 80’s. While “Computer World” did the miles on my walkman, this beauty helped me usher in Bowie’s Berlin period.

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Santana - Santana (1969)

Vinyl This recently remastered vinyl record album had my jaw dropping and hitting the floor. Another album I remember from my sister’s collection sounding absolutely stunning on vinyl.

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Al Di Meola - Splendido Hotel (1979)

It was Al’s birthday yesterday so thought I’d get into some Di Meola magic this afternoon. While this recording shows it’s age (the keyboards especially sound dated) it’s still a great record to show off his versatility.

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Opeth - Watershed (2008)

You can’t be a passive listener with this! It can lull you into your happy place one moment then punch you in the temporal lobe when you are all nice and cosy.

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PJ Harvey - The Hope Six Demolition Project (2016)

Vinyl Saw this at TWH for only 6 bucks more than the CD - so couldn’t resist. Sometimes its hard to understand why something as well packaged as this, gatefold and poster included, could be considerably cheaper than the latest Pink Floyd vinyl remasters.

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David's Session - Apr 16

The themes were: Sorry, I nearly missed my deadline - think days, weeks, months, years or any measurement of time. (But NOT the word “time” by itself), It just wasn’t my cup of tea. A song from yesteryear that you appreciate a lot more these days., Let’s stop this reminiscing nonsense! Something from this decade

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David's Session - Mar 13

The themes were: A relic from the 60’s. Arguably the greatest decade in modern music history. (Prove it!), Nice sound pity about the song. (It doesn’t necessarily have to be naff but must demonstrate high production qualities), A new discovery. (Surprise us with something you believe no one else has heard!)

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