![Stereolab - The San Franscisco Bath House, Wellington [Live Event] (2020)](/images/post/wilt_20200303_SL.SF.03032020.06_hu79299b4139836a63b6cdf426109a7dfd_71092_0x230_resize_q95_h2_lanczos.webp)
David
Having spent the last month totally immersed in everything Stereolab, I was hoping that this newly re-formed groop, down in this neck of the woods, would at least meet expectations.
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David
You know what, I’m getting sick of the same old same old. Three albums in and on the fantastic “Currents” Kevin Parker was getting flogged by the sky’s falling brigade for adding squelchy keyboards and turning his back on his guitar fuelled hazy psych.
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David
Just a couple of albums to go on my Anglo-French band adventures over the last month. They play live on Tuesday night next week!
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David
If you think my time listening to Stereolab is fully exhausted, then think again. This compilation from 1998 is a real cracker.
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David
There’s more tambourine playing by Laetitia Sadier than actual singing on this record. Apparently she was sick and didn’t get much studio time so the band just played on.
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David
An end-of-century pre-millennial masterpiece. Letitia Sadier and Mary Hanson are on their best collaborative form, harmonising/counter-harmonising beautifully. The horns introduced in Dots and Loops are more prevalent throughout on this record and there’s a few avant guarde moments in the mix as well.
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David
The themes were: _Remaining, Or returning - e.g. bands that have never broken up, or have reformed, or members who’ve left and come back, Leaving - E.g. bands that have broken up, or band members who’ve left to forge new careers , Gone For Good - E.g. someone from the latest crop of rock, etc, deaths _
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David
While I’ve replaced ALL of my Stereolab CDs over the last 12 months with astoundingly well remastered and plump-with-music, vinyl editions, I won’t be getting rid of this rare 3CD/1DVD compilation anytime soon.
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David
This really early collection of singles and EPs that were recorded prior to their first album Peng! shows just how far they haven’t come.
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David
This album, their fourth, may have been my very first exposure to the Stereolab collective back in the late 90’s. Many a CD was thrust into my mitts, including this one, as I ventured into Everyman Records.
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